RESEARCH ARTICLE


The Role of Art in Society with Particular Reference to the Problem of Violence$



Camilla Pagani*
Institute of Cognitive Sciences and Technologies, National Research Council, Via San Martino della Battaglia 44, 00185 Roma, Italy


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Creative Commons License
© Camilla Pagani; Licensee Bentham Open

open-access license: This is an open access article licensed under the terms of the Creative Commons Attribution-Non-Commercial 4.0 International Public License (CC BY-NC 4.0) (https://creativecommons.org/licenses/by-nc/4.0/legalcode), which permits unrestricted, non-commercial use, distribution and reproduction in any medium, provided the work is properly cited.

* Address correspondence to this author at the Institute of Cognitive Sciences and Technologies, National Research Council, Via San Martino della Battaglia 44, 00185 Roma, Italy; Tel: 0039 06 44595311; Fax: 0039 06 44595243; E-mails: camilla.pagani@istc.cnr.it, camilla_pagani@yahoo.it
$ This article is partly based on a paper presented at the International Conference “Violencia, Guerra y Postconflicto, XL Coloquios Internacionales Sobre Cerebro y Agresión – CICA”, Bogotà (Colombia), 12-14 November 2015. Many thanks to the anonymous reviewer for particularly significant comments and suggestions.


Abstract

Background:

According to the Latin poet Virgil, art is capable of revealing to us what no science can ever reveal to a human mind. The main thesis of this paper is that art can play an extremely beneficial role in society as it can strongly foster humans’ efforts to attain a deeper and broader comprehension of reality.

Objective:

The experience of art can provide a powerful contribution to the efforts to avoid resorting to violence and to address conflicts constructively. Violence or, more exactly, unjustified violence, basically rests on an irrational and short-sighted analysis and interpretation of reality.

Results:

The psychological processes relating to the aesthetic experience and to its connections with violence are described. It is also pointed out that this theoretical perspective does not fully coincide with the theoretical theses underpinning art therapy. In fact, in this paper art is not considered as a mere therapeutic instrument. Instead, an attempt has been made to consider art and our relationship with art in their more complex and partly still unexplored aspects, where neither art or the individual is “at the service” of the other.

Conclusion:

Art can provide the possibility to experience a new dimension, where no power relations exist and where new ways of seeing and feeling are made possible. It can hence foster the development of less primitive and richer personalities. In this way violence should lose its raison d’être. So it appears that this theoretical approach might be particularly helpful in order to better understand and countervail violence.

Keywords: Aesthetic experience, Art therapy, Artistic form, Freedom, Knowledge, Power relations, Society, Violence.